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Oct/Nov 2018 Spotlight

Bread

by Romana Iorga

Public domain image adapted by Tom Dooley



Bread

My father stands with his back to the wall,
clutching his fists. The boys are tall. They lower

their shaved heads. Show us your hands,
they say. If you're not hiding

anything. My father knows he'll cry soon.
He calls grandma, but she can't hear him.

Grandma is trudging uphill, toward
the corn field, holding her belly. My father

is three years old. It's the summer of 1948.
Long convoys carry the Moldovan grains

to the impoverished Russian republic. Long convoys
carry the grains from other soviet republics

to poor Russia. Moldova is a sunny country,
its people can survive on what's left

after the harvest. Grandma has seven babies
before my father. Six of them die

during the famine. Liubomir, the first-born,
can take care of himself. My father looks up to him.

Big brother kills rats with a slingshot.
He buries them under the embers. Their meat

is delicious. Liubomir catches fish with his own
fishing rod. He made it from a willow branch,

because willow is limber and doesn't break.
If the river wasn't blasted out of its bed

with dynamite, they would eat fish every day.
Nobody bothers my father when Liubomir

is around. But Liubomir left for Chisinau.
A bunch of weirdly dressed people

came to the village a few weeks ago.
They had the older boys dance horas and sârbas.

They said Liubomir would become famous.
This morning, my father sits on the bed,

looks out the window. The yard is filled
with mud cakes. He baked them himself.

They look like the round loaves
grandma pulls out of the oven on Sundays.

My father bit into one of his loaves, but it tasted
like dirt. Liubomir would know

how to make them taste better.
My father watches grandma get ready

for work. She's tall and pregnant. Long hands.
Drooping shoulders. She's Russian, but nobody cares

because she works hard and her family is as poor
as everyone else's. Grandma is about

to give birth to uncle Boris, who'll survive
his childhood, father two children,

then die in a brawl in his twenties.
Grandma reaches into the cupboard, behind

the clay dishes, where she hid the small piece
of bread grandpa gave her. Grandpa travels

from village to village to mend clothes for food.
It's hot, no one needs clothes, but people take pity

on his pregnant wife, his dead children.
The bread he brings home is dark, dusty, dry,

but it's life. It gets softer when moistened
with your tongue. Grandma won't eat it herself.

She's never hungry, though she fainted
in the field twice this summer. It's because

of the sun, she says. She gives my father
the bread, tells him to stay inside or play

in the yard. The other boys watch her
leave for the fields. When she's out of earshot,

they rush into the yard, they break
into the house to find my father

licking his bread in the dark. They want
that bread, they haven't eaten in days,

some of them will die soon.
They kick and pummel my three-year-old

father, wrench the soggy lump
from his hand, fight over it. They don't know

how to divide what they stole.
The strongest will eat it.

 

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