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Apr/May 2011 Poetry |
Photo by Leeca Desforges
Giotto
Disciple of nature, not of
other masters, he gave hissaints landscape—rock ridge,
umbrella pine—novelties, soVasari tells us, in those times.
How piteous is the peasant'sgesture, holding his nose
with one hand while the otherbrushes flies from Job's face,
lurid with sores, how steady& sincere the wronged wife's
gaze, whose signore callsher whore & shuns their
newborn, swarthy son.
Masaccio
Scruffy, spacey, scatterbrain,
they called him insteadof his Christian name.
Tommaso cared nothingfor boots or coats, forgot
who owed him what,died broke. They envied,
regardless, the easy wayhe matched flesh tone
to drapery fold, renderedChrist with feet fore-
shortened, & his nerveto paint Peter half nude
& numb with cold.
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